🤑 Why the Hell are You Here, Teacher!? - Wikipedia

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NEWS MUSIC INDUSTRY EXPECTED TO GENERATE $10 BILLION IN ! This new EP is an interesting piece of self-discovery from the ascending producer​, dedicated “to the memories of WHAT: Life & Death chief DJ Tennis provides a day & night festival with some key figures of the dance music I remember my first trip to West Germany in Unless they make music themselves, run a label


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Why the Hell are You Here, Teacher!? is a Japanese manga series written and illustrated by Soborou. It has been serialized in Kodansha's seinen manga magazine Weekly Young Magazine since April , and has been collected in ten tankōbon volumes. Each volume features different pairs of female teachers and their male students as they inevitably end up in awkward, embarrassing


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com Without realizing it, with his life going back and forth around electronic music, he managed to make it his work. Gabriel always lived for the music, he justifies. Not really. The duo who surprised us by appearing alongside the worldrenowned artist KSHMR, goes by the name of ADVANCED. What were you doing when you decided to start the label? Over the years, this process - and especially the fun of creating - became more and more important to me. PURPLE DISCO MACHINE Was there ever a Dresden disco scene? That has worked out, for sure. Here we answer questions about his new album and his musical career. And that allows us to stay strong together. And how proud are you of the result? Not functional DJ tools, although sometimes they are great too! com capturing the eyes and ears of people around the world with his mesmerizing performances whilst performing his duties as the boss of Armada label, Masterclass instructor, and host of ASOT soon to be hitting its milestone. I find that people have very few true views of their own anyway, and people What does a track need to have to be signed to Circus? We had a hard time persuading each other since we both wanted to go different directions. New ways to perform and produce where becoming much more common and being able to a run a full business from your phone was just becoming possible. One with Inner City. But the emotions infused in Day and Night are what truly sets them apart. I then send it for DJ promo via Exclusive and then we PR the artist via Neighborhood PR. We are lucky to of had many talented names release with us. I know what I do is quality and I want people to share in what we are trying to create. An act to follow closely. And then Neighbourhood, who do PR and Exclusive promo, who do DJ mail outs. They both got a start in music by playing in the school band and that bond led them to form a duo. With short and medium term objectives, he managed to buy some machines for his home studio and started to go to some parties and festivals that allowed him to meet people and show them what he was doing. The scene in London was typically strong and creative musically, as it is now, still the centre of the universe. That all took years to build up. In addition, his productions are also taking place on other platforms. It goes well with the album title too. How was the working process with Kevin Saunderson and his group? Was the GAIA album a necessary thing? Everyone works part-time so it flows. The trance titan has never yet stepped down from his throne, continuing on his prolific career with numerous activities this year. You must pay a fortune for clearance It took me almost two years to finish, I had so many ideas and about 15 different versions. Does it have something to do with the way you are living your life? Why is this one a double album? Being long-time friends, the duo always has a shoulder to lean on. I already met him a few times before because we work closely together on Armada and handle his label. The releases need to make me excited and I need to believe in them, but also not so far out of the dancefloor that nobody else cares. They were already setting the tone in the dance music scene back when I was only just taking my first steps in the industry. Alongside releasing various tracks, albums, and collaborative works, the artist has been 20 djmagasia. Not because it was necessary, but simply because it felt right to us.{/INSERTKEYS}{/PARAGRAPH} We met Yousef to talk about his 17 year-old club brand and 10 year old record label. Amid so many shows, he has founded the Family Partner record label with his colleague and friend Manu Desrets. This is the first time you did something like this, right? DJ Mag Asia sat down with the energetic artist to talk about his music and life. Since then, music has led him to live hundreds of incredible moments, including dreamed line ups, big festivals or DJ booths shared with some of the most relevant names in the industry. Working with them in the studio was super inspiring. I like the expansive musical tone of the label. Growing up, it was very difficult to get good music, lots of it was banned by the government because of political issues. ARIEL JO djmagasia. How would you describe the evolution of Circus over these first 10 years? But we parted and I got a new label manger, Jon Waller, who is still with me today. Do you read them? So I had to quit. Twenty years ago, a young Gabriel Gorostidi discovered a local radio called NRG where it played some repetitive and very percussive music with completely new sounds for him. Added to this, there is an EP with two originals that will be released by Bamboleo, the label of the Italian duo Neverdogs. When did you start thinking on a new album? I remember my first trip to West Germany in We drove to Bavaria and went to a big music store for the first time. You told us in Miami you just found your mojo. There were lots of East German rock bands. So I kept studying music for the time being. But it was not without a few bumps along the way. Both of us were deeply into electronic music at the time, so we decided to make music together. The borders are opening more and more, as he consolidates throughout Latin America, adding also some dates in the US market and is increasing his presence in Europe, where he already had several tours completed successfully. Russel Reid who does the design. We have to reach the entire world at once to ensure the possible reach of the music I believe in is heard. We get the DJ feedback in and then we speak to Beatport, iTunes and Spotify to get features, which we always do. The lack of information forced him to return empty-handed and led him to an arduous investigation on his own computer to create the kind of music that he listened and was so hard to achieve. To be honest, when I started Purple Disco Machine it was a fun project, I never thought about playing around the world. I wanted a place to release my own music and control the output and build something up as other had. How did this collaboration come to life? It needs to be mixed down well and then I have it analogue mastered. What would you say are the main differences between this stage and the beginnings of the label? It was the first time I realised I had a passion for music. Inner City is one of the most influential acts of dance music! What is the drive behind being such a prolific artist? In Liverpool the scene was smaller but unusually strong. Do you find them accurate? Every song I make teaches me something new, and the next song is always a result of all my previous records, the new things I learned and the people I met. Like the Korean Hip-hop scene, we want to receive feedbacks for our tracks from the people, and contribute to building the EDM scene where artists interact with others via what they produce. But by the time he got out, I had to do my time in the army. I have no clique and want everything I do to be inclusive. On top of all this, it needs to be honest and has to be from the heart, not following the crowd or the now sound… I want records that matter. {PARAGRAPH}{INSERTKEYS}Shakedown - At Night Purple Disco Musical Freedom Machine Extended Remix Defected Records 12 djmagasia. How do you feel about this? And major artists are happy to be on board with us. The label strives to be creative, but always practical too. But now they are on a path to making something different. Musically the sound is a reflection of me, as a DJ and my years of experience in listening to electronic music. But my dad collected vinyl and my mum was a music teacher, so I grew up with Pink Floyd, Genesis and bands like this. But ARTEX reached out to me during my college years. For the sake of simplicity, Day stands for pop, and Night represents dance tunes. Glitterbox and disco music are both growing year after year. Which was why it was not until after 4 years that we could finally start making music as a duo. It was a feel-good summer track. As part of a bigger picture that also includes parties and a boss with more than 20 years of experience, it became one of the well-known imprints that feed the dancefloor all around the world.